“The emotional centerpiece of my cycle Becoming a Redwood is the song ‘Pentecost.’ This poem was written after the death of the poet’s infant son. The opening weaving melodic line (derived from the first song’s main theme) hovers over an ostinato bass figure, representing haunting memories. Another significant vocal cell, first appearing with ‘when memory/Repeats its prosecution’ is constructed of repeats, echoing itself and suggestive of keening as well as the rocking motion that accompanies grief. This motif reappears in a new guise (‘nor any prayers/Improvised to an unknowable god’) depicting improvisation. The use of these melodic and harmonic repetitions creates great tension, leading to the climax ‘comfort me with stones.’ Here dramatic octave leaps portray grief in its full force. The song returns to the repetitive melodic motif (“mix our ashes”), now suggestive of the image of stirring. The music culminates in a wordless vocalize, which hints at a diminished but prevailing sadness.”

–Lori Laitman