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About
Juliana Hall is primarily known as a composer of classical art songs. She has written over 35 song cycles (comprised of more than 250 individual songs), anthems for a capella choir, a cantata, and a chamber opera. In recent years, she has also composed several collections of childrens’ piano music (nearly 40 separate pieces), as well as a variety of instrumental works for cello, english horn, piano, and saxophone.
Hall’s music has been performed in at least 24 countries in North and South America, Europe, Asia, and Australia, at performance venues including Weill Recital Hall at Carnegie Hall (New York, NY) and Wigmore Hall (London, UK). Festival performances include concerts at the Norfolk Chamber Music (Norfolk, CT), Ojai (Ojai, CA), and Tanglewood (Lenox, MA) summer music festivals.
Her compositions have been broadcast over numerous radio networks, including the BBC (London), NPR (Washington, DC), Radio France (Paris), Radio MonaLisa (Amsterdam), and Radio ArtsIndonesia (Jakarta). Several works have been recorded on the Vienna Modern Masters label, and a new recording of her song cycle Letters from Edna is slated for a summer 2013 release on the Albany record label. In addition, her song cycle Syllables of Velvet, Sentences of Plush is published by Boosey & Hawkes.
Hall’s songs have been taught at a number of universities and professional music schools, and she has also given seminars in song writing at the Hartt School of Music, where she was a Visiting Professor of Composition in 2006.
Hall’s teachers include Martin Bresnick, Leon Kirchner, and Frederic Rzewski at the Yale School of Music (where she earned a Master of Music in Composition) and she completed her formal composition studies with Dominick Argento. Piano teachers include Boris Berman, Martin Canin, Jeanne Kirstein, Seymour Lipkin, and Lee Luvisi.
In 1989 she was awarded a Guggenheim Fellowship in Music Composition, and her commissions include two from the Schubert Club of St. Paul, Minnesota, one for a song cycle for soprano Dawn Upshaw (Night Dances) and one for a song cycle for baritone David Malis (Winter Windows).
—Excerpted from www.julianahall.com
Related Information
Songs
Bells and Grass
Song CollectionJuliana Hall
Walter De la Mare
Crossing the Water
Song CollectionJuliana Hall
Sylvia Plath
Death's Echo
Song CollectionJuliana Hall
W. H. Auden
Dreams in War Time
Song CollectionJuliana Hall
Amy Lowell
Five Nocturnes
Song CollectionJuliana Hall
Robert Frost
In Reverence
Song CollectionJuliana Hall
Emily Dickinson
Letters From Edna
Song CollectionJuliana Hall
Edna St. Vincent Millay
Lorelei
Song CollectionJuliana Hall
Sylvia Plath
Love's Pilgrimage
Song CollectionJuliana Hall
William Shakespeare
Lovestars
Song CollectionJuliana Hall
E. E. Cummings
Night Dances
Song CollectionJuliana Hall
Elizabeth Bishop
Emily Brontë
Emily Dickinson
Edna St. Vincent Millay
Sylvia Plath
One Art
Song CollectionJuliana Hall
Elizabeth Bishop
Paradise
Song CollectionJuliana Hall
Emily Dickinson
Peacock Pie
Song CollectionJuliana Hall
Walter De la Mare
Propriety
Song CollectionJuliana Hall
Marianne Moore
Songs of Innocence
Song CollectionJuliana Hall
William Blake
Syllables of Velvet, Sentences of Plush
Song CollectionJuliana Hall
Emily Dickinson
The Poet's Calendar
Song CollectionJuliana Hall
Henry Wadsworth Longfellow
The Poets
Song CollectionJuliana Hall
Henry Wadsworth Longfellow
Theme In Yellow
Song CollectionJuliana Hall
Robert Frost
Amy Lowell
Edna St. Vincent Millay
Carl Sandburg
Two Birds
Song CollectionJuliana Hall
E. E. Cummings
Upon This Summer's Day
Song CollectionJuliana Hall
Emily Dickinson
Winter Windows
Song CollectionJuliana Hall
Walter De la Mare
Robert Frost
Edna St. Vincent Millay
Videos
Recordings
In This Moment: Women and Their Songs
(Juliana Hall, Lori Laitman and Libby Larsen)
2013
From a Woman's Perspective
(Juliana Hall)
2012
Sheet Music
Syllables of Velvet, Sentences of Plush
Composer(s): Juliana Hall
Song(s): To Eudocia C. Flynt
To T.W. Higginson
To Emily Fowler
To Samuel Bowles the younger
To Eugenia Hall
To Susan Gilbert
To Susan Gilbert II