About
Charles Samuel Brown’s vocalise is an evocative short piece for voice and piano. Historian Samuel A. Floyd Jr. writes in The Power of Black Music that “A Song Without Words” has a “telling effect” and that it is “an analogue to the human feeling represented in black folk life.” Brown includes various markings to bring out the blues feel of the song: the tempo is marked as “very slow and improvisatory; not strict” and several notes are meant to be sung in “blue” note approximation. Floyd writes that there is a “moaning delivery” in the setting as well. Brown also includes breath marks for both the vocal and piano line that suggest pauses filled with deep meaning.
– Bethany Worrell
This profile was created in 2021 as part of The Savvy Singer, an EXCEL Lab course at the University of Michigan, School of Music, Theatre, and Dance and a collaboration with the Hampsong Foundation via the Classic Song Research Initiative.
Bibliography:
Floyd, Samuel A. The Power of Black Music: Interpreting its History from Africa to the United States. New York: Oxford University Press, 1995, p. 248-252.
Videos
Sheet Music
Anthology of Art Songs by Black American Composers, Compiled by Willis C. Patterson
Composer(s): H. Leslie Adams, David Baker, Margaret Bonds, Charles Brown, Cecil Cohen, Noel de Costa, Mark Fax, Adolphus C. Hailstork, Eugene Hancock, Thomas Kerr, Jr., Charles Lloyd, Jr., Wendell Logan, Maurice McCall, Dorothy Rudd Moore, Undine Smith Moore, Robert Owens, Coleridge-Taylor Perkinson, Florence Price, Hale Smith, William Grant Still, Howard Swanson, George Walker, Olly Wilson, John Work, Jr.
Song(s): For You There is No Song (H. Leslie Adams)
Early in the Mornin' (David Baker)
A Good Assassination Should Be Quiet (David Baker)
Status Symbol (David Baker)
Three Dream Portraits: Minstrel Man; Dream Variations; I, Too (Margaret Bonds)
The Barrier (Charles Brown)
Song Without Words (Charles Brown)
Death of an Old Seaman (Cecil Cohen)
Two Songs for Julie Ju (Noel da Costa)
Cassandra's Lullaby (Mark Fax)
Love (Mark Fax)
A Charm at Parting (Adolphus C. Hailstork)
I Loved You (Adolphus C. Hailstork)
Absalom (Eugene Hancock)
Nunc Dimittis (Eugene Hancock)
Riding to Town (Thomas Kerr, Jr.)
Compensation (Charles Lloyd, Jr.)
If There Be Sorrow (Wendell Logan)
Marrow of My Bone (Wendell Logan)
Chanson Triste (Maurice McCall)
Sweet Sorrow (Maurice McCall)
Weary Blues (Dorothy Rudd Moore)
Love Let the Wind Cry...How I Adore Thee (Undine Moore)
Faithful One (Robert Owens)
Genius Child (Robert Owens)
A Child's Grace (Coleridge-Taylor Perkinson)
Melancholy (Coleridge-Taylor Perkinson)
Night (Florence Price)
Song to the Dark Virgin (Florence Price)
Velvet Shoes (Hale Smith)
Grief (William Grant Still)
A Death Song (Howard Swanson)
I Will Lie Down in Autumn (Howard Swanson)
The Negro Speaks of Rivers (Howard Swanson)
Lament (George Walker)
A Red, Red Rose (George Walker)
Wry Fragments (Olly Wilson)
Dancing in the Sun (John Work, Jr.)
Soliloquy (John Work, Jr.)